Prokofiev: Peter and the Wolf, Op. 67: No. 5 The Wolf - Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra Information

Acousticness: 95%
Danceability: 28%
Energy: 4%
Instrumentalness: 2%
Liveness: 68%
Loudness: 60%
Speechiness: 6%
Valence: 21%
Popularity: 21%
Loudness: -23.858 dB

Summary

Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra's 'Prokofiev: Peter and the Wolf, Op. 67: No. 5 The Wolf' came out on September 29, 2017. With Prokofiev: Peter and the Wolf, Op. 67: No. 5 The Wolf being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Peter and the Wolf". In this album, this song's track order is #5. Prokofiev: Peter and the Wolf, Op. 67: No. 5 The Wolf is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Prokofiev: Peter and the Wolf, Op. 67: No. 5 The Wolf BPM

With Prokofiev: Peter and the Wolf, Op. 67: No. 5 The Wolf by Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Prokofiev: Peter and the Wolf, Op. 67: No. 5 The Wolf Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Sea: No. 3 Moonlight	Frank Bridge, New Zealand Symphony Orchestra, James Judd	E Minor	0	9A	78 BPM
Symphony No. 2, Op. 30, "Romantic": II. Andante con tenerezza	Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz	D Minor	1	7A	73 BPM
The Firebird Suite (1919 Version): I. Introduction	Igor Stravinsky, Leonard Bernstein, New York Philharmonic	C Minor	0	5A	87 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Minor	0	5A	77 BPM
Les biches Suite, FP 36b: II. Adagietto	Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	G Minor	1	6A	80 BPM
Variations On An Original Theme, Op.36 "Enigma": 7. Troyte (Presto)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	C Major	5	8B	157 BPM
Holst: The Planets, Op. 32: I. Mars, the Bringer of War	Gustav Holst, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras	F Minor	3	4A	78 BPM
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	G Major	2	9B	90 BPM
Le carnaval des animaux, R. 125: 14. Final	Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic	C Major	3	8B	100 BPM
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls	Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	B♭ Major	3	6B	115 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.70455002784729

End: 0.7084624767303467