George Frideric Handel, English Chamber Orchestra, Raymond Leppard's 'Ariodante HWV 33 / Act 1: Sinfonia pastorale' came out on January 1, 1979. With Ariodante HWV 33 / Act 1: Sinfonia pastorale being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Norma Burrowes, Dame Janet Baker, James Bowman, London Voices, English Chamber Orchestra, Raymond Leppard's "Handel: Ariodante" album is number 23 out of 75. On top of that, Netherlands appears to be the country where this track was created. Ariodante HWV 33 / Act 1: Sinfonia pastorale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ariodante HWV 33 / Act 1: Sinfonia pastorale by George Frideric Handel, English Chamber Orchestra, Raymond Leppard to be Lento (slowly) because the track has a tempo of 50 BPM, a half-time of 25BPM, and a double-time of 100 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus aedificaverit domum | Antonio Vivaldi, Lynne McMurtry, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 108 BPM | ||
Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Water Music, Suite No. 3, HWV 350: Water Music, Suite No. 3, HWV 350: XXIi. Minuet (Coro) | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 174 BPM | ||
Haydn: Trumpet Concerto In E Flat - Iii Finale | Franz Joseph Haydn, Tine Thing Helseth | E♭ Major | 2 | 5B | 145 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Freiburger Barockorchester | D♭ Major | 0 | 3B | 65 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM |
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