"Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Freiburger Barockorchester was released on November 8, 2011. With this song being about 5 minutes long, at 4:37, "Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Freiburger Barockorchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 21 out of 24 in Bach: Orchestral Suites by Johann Sebastian Bach, Freiburger Barockorchester. Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: II. Air is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, Freiburger Barockorchester is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non moto | Karoly Botvay | G Minor | 1 | 6A | 132 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM | ||
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 | Frédéric Chopin, Gabriela Montero | D♭ Major | 0 | 3B | 107 BPM | ||
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 126 BPM | ||
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": I. Sinfonia, ''Adagio'' | Johann Sebastian Bach, Keisuke Wakao, Malcolm Lowe, Victor Romanul, Cathy Basrak, Sato Knudsen, Edwin Barker | D♭ Major | 8 | 3B | 117 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Alexandre Tharaud, Les Violons du Roy, Bernard Labadie | A Minor | 2 | 8A | 113 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |
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