Leyla Gencer, RAI Symphony Orchestra, Milan's 'Anna Bolena: "Come innocente giovane"' came out on August 15, 2000. With Anna Bolena: "Come innocente giovane" being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leyla Gencer, Orchestra of Teatro La Fenice, Venice, La Scala Theater Orchestrea's "Leyla Gencer, Vol. 1" album is number 7 out of 8. In terms of popularity, Anna Bolena: "Come innocente giovane" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Anna Bolena: "Come innocente giovane" by Leyla Gencer, RAI Symphony Orchestra, Milan to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Puccini: Manon Lescaut, Act 2: "In quelle trine morbide" (Manon Lescaut) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D♭ Major | 1 | 3B | 88 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
La Sonnanbula - Prendi, l'anel ti dono | Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 82 BPM | ||
Don Pasquale: Act II: E se fia che ad altro oggetto | Gaetano Donizetti, Roberto Abbado | B♭ Major | 1 | 6B | 135 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | D Minor | 0 | 7A | 121 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Verrano a te sull'aura i miei sospiri ardenti" (Lucia, Edgardo) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale) | Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 126 BPM |
Section: 0.7867991924285889
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