Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra's 'Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale)' came out on 1984. The duration of Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale) is about 3 minutes long, at 3:15. Based on our data, "Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 45 in Donizetti: Don Pasquale by Gaetano Donizetti, Riccardo Muti. Based on our statistics, Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale) by Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 1: "Figlia..Mio padre!"..."Quanto dolor" | Giuseppe Verdi, Sherrill Milnes, Dame Joan Sutherland, Gillian Knight, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 76 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Beethoven: Fidelio, Op. 72, Act 1: No. 9, Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) | Ludwig van Beethoven, Christa Ludwig, Otto Klemperer, Philharmonia Orchestra | E Major | 2 | 12B | 100 BPM | ||
Schubert: Symphony No. 1 in D Major, D. 82: III. Menuetto (Allegro) - Trio | Franz Schubert, Riccardo Muti, Wiener Philharmoniker | D Major | 0 | 10B | 98 BPM | ||
Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio) | Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker | D Minor | 1 | 7A | 119 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 3: In mia man alfin tu sei (Norma/Pollione) | Vincenzo Bellini, Maria Callas, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 174 BPM | ||
Pagliacci / Act 2: "Presto, affrettiamoci" | Ruggero Leoncavallo, Ingvar Wixell, Vincenzo Bello, Lorenzo Saccomani, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 3 | 12B | 109 BPM | ||
Tannhäuser - Paris version / Act II: Dich, teure Halle, grüß ich wieder | Richard Wagner, Cheryl Studer, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 2 | 9B | 73 BPM | ||
Verdi: Aida, Act 4: "Presago il core della tua condanna" (Radamès, Aida) | Giuseppe Verdi, Riccardo Muti, Montserrat Caballé, Plácido Domingo, New Philharmonia Orchestra | D Major | 9 | 10B | 142 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM |
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