"Norma (1997 Digital Remaster), ACT 2, Scene 3: In mia man alfin tu sei (Norma/Pollione)" by Vincenzo Bellini, Maria Callas, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan was released on 1961. Norma (1997 Digital Remaster), ACT 2, Scene 3: In mia man alfin tu sei (Norma/Pollione) is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 16 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. The popularity of Norma (1997 Digital Remaster), ACT 2, Scene 3: In mia man alfin tu sei (Norma/Pollione) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma (1997 Digital Remaster), ACT 2, Scene 3: In mia man alfin tu sei (Norma/Pollione) by Vincenzo Bellini, Maria Callas, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Svanir le voci! (Pollione/Flavio) | Vincenzo Bellini, Franco Corelli, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | C Major | 1 | 8B | 168 BPM | ||
Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
Puccini: Tosca, Act 3 Scene 4: "Com'è lunga l'attesa!" (Tosca) | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM | ||
Verdi: La traviata, Act 3: "Se una pudica vergine" (Violetta, Germont, Alfredo, Annina, Doctor) | Giuseppe Verdi, Maria Callas, Francesco Albanese, Gabriele Santini, Ines Marietti, Mario Zorgniotti, Orchestra Sinfonica della RAI, Ugo Savarese | D♭ Major | 3 | 3B | 87 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Don Pasquale, Act I Quinta Scena: Mi volete fiera? (Norina/Malatesta) | Gaetano Donizetti, Leo Nucci/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 2 | 4B | 130 BPM | ||
Il Trovatore / Act 3: "Quale d'armi fragor" - Live | Giuseppe Verdi, Leontyne Price, Franco Corelli, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM | ||
Puccini's Manon Lescaut - Donna Non Vidi Mai | Carlo Bergonzi | B♭ Major | 3 | 6B | 116 BPM |
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