Ruggero Leoncavallo, Ingvar Wixell, Vincenzo Bello, Lorenzo Saccomani, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè's 'Pagliacci / Act 2: "Presto, affrettiamoci"' came out on December 3, 1978. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè's "Leoncavallo: Pagliacci" album is number 12 out of 17. In terms of popularity, Pagliacci / Act 2: "Presto, affrettiamoci" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 2: "Presto, affrettiamoci" by Ruggero Leoncavallo, Ingvar Wixell, Vincenzo Bello, Lorenzo Saccomani, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Zdyes on, zdyes on, Yevgeni!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Si può?....Chi è là? (Benoît/Marcello/Schaunard/Colline/Rodolfo) - 1997 Remastered Version | Giacomo Puccini, Carlo Badioli, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | F♯ Minor | 2 | 11A | 109 BPM | ||
Un ballo in maschera / Act 1: "Volta la terrea...Signori: oggi d'Ulrica" | Giuseppe Verdi, Kathleen Battle, Luciano Pavarotti, Alexander Oliver, Renato Bruson, Robert Lloyd, Malcolm King, The London Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti | A♭ Major | 3 | 4B | 67 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso...Turiddu?! Che vuoi dire?" | Pietro Mascagni, Luciano Pavarotti, Ida Bormida, Piero Cappuccilli, Julia Varady, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | E♭ Major | 3 | 5B | 83 BPM | ||
L'elisir d'amore / Act 2: "Saria possibile?" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 125 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
Pagliacci / Act 1: "Son qua! Ritornano" | Ruggero Leoncavallo, Luciano Pavarotti, Vincenzo Bello, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | F♯ Major | 3 | 2B | 81 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: L'Imperial Commissario (Goro/Pinkerton/Coro/Butterfly/Cugina/La Madre/Yakuside/Zia/Sharpless) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | B♭ Major | 3 | 6B | 110 BPM | ||
Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" | Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 173 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 7: No. 7, Duo, "Parle-moi de ma mère" (Micaëla, Don José) | Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 87 BPM |
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