Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino's 'Bellini: I puritani, Act 2: "Vien, diletto" (Elvira)' came out on March 27, 2015. With this song being about 5 minutes long, at 4:59, "Bellini: I puritani, Act 2: "Vien, diletto" (Elvira)" by Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 24 in Fiamma del belcanto by Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bellini: I puritani, Act 2: "Vien, diletto" (Elvira) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: I puritani, Act 2: "Vien, diletto" (Elvira) by Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table | Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | G Minor | 1 | 6A | 85 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Soirées musicales: 8. La Danza - Remastered 2013 | Gioachino Rossini, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | F Major | 4 | 7B | 73 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | C Major | 4 | 8B | 84 BPM | ||
Bellini: I puritani, Act 1, Scene 1: Or dove fuggo io mai? (Riccardo/Bruno) | Vincenzo Bellini, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 2 | 4B | 94 BPM |
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