"Adriana Lecouvreur: La dolcissima effigie" by Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi was released on May 15, 2020. The duration of Adriana Lecouvreur: La dolcissima effigie is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Adriana Lecouvreur: La dolcissima effigie's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vincerò! by Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi. The song's track number on the album is #3 out of 18 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Adriana Lecouvreur: La dolcissima effigie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Adriana Lecouvreur: La dolcissima effigie by Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Adriana Lecouvreur: La dolcissima effigie being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Africaine / Act 4: "Pays Merveilleux ... O Paradis" | Giacomo Meyerbeer, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | F♯ Major | 2 | 2B | 66 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Le nozze di Figaro, K. 492: Deh vieni, non tardar | Wolfgang Amadeus Mozart, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | F Major | 0 | 7B | 88 BPM | ||
Donizetti: L'elisir d'amore, Act 1 Scene 1: No. 1b, Cavatina, "Quanto è bella, quanto è cara!" (Nemorino) | Gaetano Donizetti, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | C Major | 1 | 8B | 171 BPM | ||
Turandot, SC 91: Nessun dorma | Giacomo Puccini, Piotr Beczala, Orquestra de la Comunitat Valenciana, Unknown Artist, Marco Boemi | D Major | 2 | 10B | 82 BPM | ||
L'elisir d'amore / Act 2: "Venti scudi" | Gaetano Donizetti, Juan Diego Flórez, Mariusz Kwiecen, Orquestra de la Comunitat Valenciana, Daniel Oren | F Major | 1 | 7B | 172 BPM | ||
Alceste (1997 Digital Remaster): Divinités du Styx | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | F Major | 1 | 7B | 86 BPM | ||
Tres viejos aires de danza: I. Pastoral | Joaquín Rodrigo, Orquestra de la Comunitat Valenciana, Joan Enric Lluna | D♭ Minor | 1 | 12A | 135 BPM |
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