"Fedora / Act 2: "Amor ti vieta"" by Umberto Giordano, Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede was released on April 5, 2020. With Fedora / Act 2: "Amor ti vieta" being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Work From Home With Opera Hits by Giuseppe Verdi, Georges Bizet. The song's track number on the album is #8 out of 100 tracks. Fedora / Act 2: "Amor ti vieta" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fedora / Act 2: "Amor ti vieta" by Umberto Giordano, Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Fedora / Act 2: "Amor ti vieta" being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur: Act I: la Dolcissima Effige | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | G Major | 7 | 9B | 102 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - Live | Ludwig van Beethoven, Zubin Mehta, Orchestra del Maggio Musicale Fiorentino | F Major | 1 | 7B | 128 BPM | ||
Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
La jolie fille de Perth - Adapted Chris Hazell / Act 2: "Elle est là ...A la voix d'un amant fidèle" | Georges Bizet, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | A Minor | 2 | 8A | 74 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Me protegge, me difende un poter maggior di loro (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 3 | 5B | 74 BPM | ||
Don Giovanni, K.527, Act I Scene 14: Dalla sua pace | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Rigoletto, Act II: Gualtier Maldè…Caro nome | Giuseppe Verdi, Renata Scotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | E Minor | 0 | 9A | 177 BPM |
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