"La Vestale (1997 Digital Remaster): O nome tutelar" by Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano was released on 1997. The duration of La Vestale (1997 Digital Remaster): O nome tutelar is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. La Vestale (1997 Digital Remaster): O nome tutelar's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 6 in Callas at La Scala by Maria Callas. La Vestale (1997 Digital Remaster): O nome tutelar is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Vestale (1997 Digital Remaster): O nome tutelar by Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oh, Rimembranza! | Ebe Stignani, Maria Callas | F Minor | 3 | 4A | 95 BPM | ||
Schlof sche, mein Vögele | Anonymous, Anna Netrebko | G Minor | 0 | 6A | 130 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM | ||
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Adriana Lecouvreur / Act 2: L'anima ho stanca | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B Minor | 2 | 10A | 175 BPM | ||
L'elisir d'amore / Act I: "Una parola, Adina" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 0 | 6B | 114 BPM | ||
Manon Lescaut / Act 1: "Donna non vidi mai" | Giacomo Puccini, José Cura, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | B♭ Major | 2 | 6B | 136 BPM | ||
La forza del destino, Act II: La Vergine degli angeli (Fra Melitone/Padre Guardiano) | Giuseppe Verdi, Sesto Bruscantini/Paul Plishka/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Riccardo Muti, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 1 | 4B | 82 BPM |
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