"Oh, Rimembranza!" by Ebe Stignani, Maria Callas was released on September 8, 2010. With this song being about 5 minutes long, at 5:19, "Oh, Rimembranza!" by Ebe Stignani, Maria Callas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "The Best Of Norma - The Opera Masters Series". In this album, this song's track order is #6. In terms of popularity, Oh, Rimembranza! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oh, Rimembranza! by Ebe Stignani, Maria Callas having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 2: "Perchè piangete?" - Live | Giuseppe Verdi, Leontyne Price, Laurence Dutoit, Ettore Bastianini, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Kammerchor der Salzburger Festspiele | B♭ Major | 3 | 6B | 99 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Lucia di Lammermoor, Act I: Ancor non giunse! | Gaetano Donizetti, Zuzana Markova, Carlotta Vichi, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 100 BPM | ||
Aida / Act 1: Alta cagion v'aduna | Giuseppe Verdi, Fernando Corena, Piero de Palma, Mario del Monaco, Dario Caselli, Renata Tebaldi, Ebe Stignani, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | A♭ Major | 2 | 4B | 75 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
Le nozze di Figaro, K. 492, Act I: Non più andrai - Remastered 2024 | Wolfgang Amadeus Mozart, Paul Schöffler, Wiener Philharmoniker, Karl Böhm | B♭ Major | 1 | 6B | 96 BPM | ||
Puccini: Turandot, Act 1: "Popolo di Pekino!" (Mandarin, Crowd, Liù) | Giacomo Puccini, Elisabeth Schwarzkopf, Coro Del Teatro Alla Scala Di Milano, Giulio Mauri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | C Major | 3 | 8B | 80 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Mira, O Norma | Ebe Stignani, Maria Callas | E♭ Major | 3 | 5B | 81 BPM |
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