"Fedora: Amor ti vieta" by Umberto Giordano, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi was released on May 15, 2020. With Fedora: Amor ti vieta being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vincerò! by Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi. The song's track number on the album is #12 out of 18 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Fedora: Amor ti vieta is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fedora: Amor ti vieta by Umberto Giordano, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Fedora: Amor ti vieta being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 93 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Catalani: La Wally, Act 1: "Ebben? ... Ne andrò lontana" (La Wally) | Alfredo Catalani, Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France | E Major | 2 | 12B | 86 BPM | ||
Un mari à la porte: Valse Tyrolienne | Jacques Offenbach, Sumi Jo, English Chamber Orchestra, Richard Bonynge | C Minor | 0 | 5A | 131 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | ||
Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM |
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