"Alessandro, HWV 21: Act I - "No, più soffrir non voglio"" by Simone Kermes was released on March 13, 2009. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Simone Kermes's "Händel: Arias for Cuzzoni (La Diva)" album is number 5 out of 14. On top of that, Germany appears to be the country where this track was created. Alessandro, HWV 21: Act I - "No, più soffrir non voglio" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alessandro, HWV 21: Act I - "No, più soffrir non voglio" by Simone Kermes to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 2: "Possente spirto" (Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Bérengère Sardin, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 68 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Manna: Laudate pueri: IV. Gloria | Gennaro Manna, Jakub Józef Orliński, Il pomo d'oro Choir, Francesco Corti, Il Pomo D'oro | E Major | 2 | 12B | 80 BPM | ||
Concerto No 2 in E minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | E♭ Minor | 2 | 2A | 120 BPM | ||
L'infedeltà delusa, Hob. XXVIII:5, Act I: Come piglia si bene | Franz Joseph Haydn, Simone Kermes, WDR Rundfunkorchester Köln, Markus Poschner | C Major | 2 | 8B | 89 BPM | ||
Boretti: Eliogabalo, Act 3: "Chi scherza con Amor" (Eliogabalo) | Giovanni Antonio Boretti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B♭ Minor | 3 | 3A | 82 BPM | ||
Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
L'Agrippina: Tace l'augello - From "Agrippina" | Nicola Porpora, Simone Kermes | D Minor | 0 | 7A | 96 BPM | ||
Andromeda liberata (Serenata Veneziana): Recitativo 3: Sciolta dai ceppi e già sottratta a morte | Anonymus, Simone Kermes, Max Emanuel Cenčić, Venice Baroque Orchestra, Andrea Marcon | E♭ Minor | 1 | 2A | 66 BPM |
Section: 0.6618063449859619
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