Heinrich Ignaz Franz von Biber, Christina Pluhar made "L'Aria" available on March 22, 2010. With L'Aria being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Via Crucis by Christina Pluhar, L'Arpeggiata. The song's track number on the album is #5 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. L'Aria is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since L'Aria by Heinrich Ignaz Franz von Biber, Christina Pluhar has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L'Aria being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
T'amai gran tempo | Stefano Landi, L'Arpeggiata, Christina Pluhar | G Major | 2 | 9B | 142 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Sonata Da Chiesa No. 4 in F Major, Op. 5: II. Allegro | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | E Major | 4 | 12B | 122 BPM | ||
Magnificat en mi bémol majeur, BWV 243a: "Deposuit potentes" | Johann Sebastian Bach, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | G Minor | 5 | 6A | 101 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Missa ex B: XVI. Crucifixus etiam pro nobis - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | G Minor | 1 | 6A | 121 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Che si può fare? | Barbara Strozzi, Simone Kermes, Enrico Casazza | E Minor | 1 | 9A | 112 BPM | ||
Bataille: El baxel està en la playa | Gabriel Bataille, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | G Major | 2 | 9B | 110 BPM |
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