"Andromeda liberata (Serenata Veneziana): Recitativo 3: Sciolta dai ceppi e già sottratta a morte" by Anonymus, Simone Kermes, Max Emanuel Cenčić, Venice Baroque Orchestra, Andrea Marcon was released on January 1, 2004. With Andromeda liberata (Serenata Veneziana): Recitativo 3: Sciolta dai ceppi e già sottratta a morte being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi & others: Andromeda liberata by Anonymus, Venice Baroque Orchestra, Andrea Marcon. The song's track number on the album is #6 out of 37 tracks. Andromeda liberata (Serenata Veneziana): Recitativo 3: Sciolta dai ceppi e già sottratta a morte is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Andromeda liberata (Serenata Veneziana): Recitativo 3: Sciolta dai ceppi e già sottratta a morte by Anonymus, Simone Kermes, Max Emanuel Cenčić, Venice Baroque Orchestra, Andrea Marcon has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Andromeda liberata (Serenata Veneziana): Recitativo 3: Sciolta dai ceppi e già sottratta a morte being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor, Op. 5 No. 5: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Il Giustino, RV 717, Act I, Scene 4: Misero è ben colui che dopo nato (Giustino) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou | B♭ Major | 0 | 6B | 74 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Il Combattimento di Tancredi e Clorinda, SV 153: 3. Torna l'ira nei cori | Claudio Monteverdi, John Mark Ainsley, New London Consort, Philip Pickett | C Major | 2 | 8B | 164 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Missa Sancti Pauli: No. 18, Crucifixus | Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 1 | 10B | 94 BPM | ||
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": IV. Loure. Der verliebte Neptunus | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 2 | 1B | 144 BPM | ||
Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM |
Section: 0.7006833553314209
End: 0.7049691677093506