Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou's 'Il Giustino, RV 717, Act I, Scene 4: Misero è ben colui che dopo nato (Giustino)' came out on November 16, 2018. With Il Giustino, RV 717, Act I, Scene 4: Misero è ben colui che dopo nato (Giustino) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Il Giustino by Antonio Vivaldi, Ottavio Dantone, Accademia Bizantina, Delphine Galou. The song's track number on the album is #11 out of 97 tracks. Based on our data, France was the country where this track was produced or recorded. Il Giustino, RV 717, Act I, Scene 4: Misero è ben colui che dopo nato (Giustino) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Il Giustino, RV 717, Act I, Scene 4: Misero è ben colui che dopo nato (Giustino) by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Il Giustino, RV 717, Act I, Scene 4: Misero è ben colui che dopo nato (Giustino) being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Violin Concerto No. 2 in G Minor "Summer", RV 315: II. Adagio (with Sonnet) | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 1 | 8B | 173 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Concerto for 2 Violins, Strings and Continuo in G Major, RV 516: III. Allegro | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 133 BPM |
Section: 0.8832874298095703
End: 0.8881254196166992