"Schwanensee, Op. 20: Act II No. 10: Scene" by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky was released on November 18, 2002. The duration of Schwanensee, Op. 20: Act II No. 10: Scene is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Schwanensee, Op. 20: Act II No. 10: Scene's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #19. Schwanensee, Op. 20: Act II No. 10: Scene is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanensee, Op. 20: Act II No. 10: Scene by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Autumn (L'Automno) Op.8 No.3 Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | F Major | 0 | 7B | 104 BPM | ||
Concerto for 2 Oboes in A Minor, RV 536: III. Allegro | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
J. Strauss II: Voices of Spring, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
Russian Romance: P.Chernyetsky | Mela Tenenbaum | C Minor | 1 | 5A | 81 BPM | ||
Boccerini: Minuet In D | Richard Hartley | A Major | 1 | 11B | 200 BPM | ||
Sleeping Beauty Waltz | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | B♭ Major | 2 | 6B | 105 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Frühlingsstimmen, Op. 410 | Johann Strauss II, Slovak Philharmonic, Noriaki Kitamura | B♭ Major | 0 | 6B | 181 BPM |
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