Kurt Weill, Marc Blitzstein, Charlotte Rae, Artist Unknown, Samuel Matlowsky made "Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act II: Ballad of Dependency (Mrs. Peachum)" available on December 1, 2013. The duration of Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act II: Ballad of Dependency (Mrs. Peachum) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act II: Ballad of Dependency (Mrs. Peachum)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: The Threepenny Opera (Original 1954 Cast, Arr. M. Blitzstein) by Marc Blitzstein, Kurt Weill, Samuel Matlowsky. The song's track number on the album is #9 out of 20 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act II: Ballad of Dependency (Mrs. Peachum) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act II: Ballad of Dependency (Mrs. Peachum) by Kurt Weill, Marc Blitzstein, Charlotte Rae, Artist Unknown, Samuel Matlowsky has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act II: Ballad of Dependency (Mrs. Peachum) being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Badinerie [Orchestral Suite No.2 BWV 1067] | The Swingle Singers | E Minor | 6 | 9A | 128 BPM | ||
When I Am Laid In Earth (Dido's Lament) | Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Minor | 0 | 11A | 72 BPM | ||
Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Die Seeräuber-Jenny | Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera | D♭ Major | 2 | 3B | 168 BPM | ||
I Wish It So | Marc Blitzstein, Dawn Upshaw | C Major | 0 | 8B | 80 BPM | ||
Je te veux (I want you) [arr. E. Blackwood] | Erik Satie, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | A Major | 1 | 11B | 90 BPM | ||
Schubert: 4 Lieder, Op. 88: No. 4, An die Musik, D. 547 | Franz Schubert, Ian Bostridge, Julius Drake | D Major | 0 | 10B | 72 BPM | ||
The 7 Deadly Sins: V. Gluttony | Kurt Weill, SWR Rundfunkorchester Kaiserslautern, Julius Pfeifer, Alexander Yudenkov, Bernhard Hartmann, Torsten Müller, Grzegorz Nowak | G Major | 1 | 9B | 84 BPM |
Section: 0.6950063705444336
End: 0.6982007026672363