"When I Am Laid In Earth (Dido's Lament)" by Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers was released on January 1, 2007. With this song being about 5 minutes long, at 4:41, "When I Am Laid In Earth (Dido's Lament)" by Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 16 in Eternal Light by Elin Manahan Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. When I Am Laid In Earth (Dido's Lament) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of When I Am Laid In Earth (Dido's Lament) by Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Armed Man - A Mass For Peace: III. Kyrie | Karl Jenkins, Mike Brewer, London Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM | ||
The Indian Queen, Z. 630 : Act Ii - Solo (Fame) And Chorus: I Come To Sing | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | B Major | 2 | 1B | 155 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
Requiem: In Paradisum - Live | Gabriel Fauré, The Sixteen, Academy of St. Martin in the Fields | D Major | 0 | 10B | 82 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
The Masque of Hymen: Symphony | Daniel Purcell, The Sixteen, Harry Christophers | B Major | 1 | 1B | 85 BPM | ||
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM | ||
Passacaglia for solo violin (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | F♯ Minor | 1 | 11A | 123 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Merry Margaret | Dilys Elwyn-Edwards, Elin Manahan Thomas, Jocelyn Freeman | D Minor | 1 | 7A | 79 BPM |
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