"Cold Song’ (What Power Art Thou...)" by Henry Purcell, Voces8, Les Inventions, Dingle Yandell was released on April 7, 2014. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 14 in A Purcell Collection by Henry Purcell, Voces8, Les Inventions. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Cold Song’ (What Power Art Thou...)'s popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Cold Song’ (What Power Art Thou...) by Henry Purcell, Voces8, Les Inventions, Dingle Yandell is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Concerto for Mandolin No. 2 in A Minor, Op. 144: I. Maestoso | Raffaele Calace, Julien Martineau, Rinaldo Alessandrini, Concerto Italiano | A Minor | 2 | 8A | 148 BPM | ||
Dowland: The Firste Booke of Songes: No. 17, Come Again! Sweet Love Doth Now Invite | John Dowland, Philippe Jaroussky, Thibaut García | D Major | 0 | 10B | 119 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Dido & Aeneas: Dido's Lament | Henry Purcell, Stéphanie D'Oustrac, Ensemble Amarillis, Héloïse Gaillard, Violaine Cochard | A Major | 1 | 11B | 75 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 0 BPM | ||
St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott" | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM |
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