"De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande" by Robert de Visée, Jean Rondeau was released on May 29, 2020. The duration of De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 20 in Barricades by Jean Rondeau, Thomas Dunford. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande by Robert de Visée, Jean Rondeau is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: VI. Gigue | Robert de Visée, Thibaut García | A Minor | 1 | 8A | 179 BPM | ||
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
D'Anglebert: Suite No. 3 en ré mineur: I. Prélude | Jean-Henri d'Anglebert, Jean Rondeau | D♭ Major | 1 | 3B | 83 BPM | ||
Pièces de viole, Book 4, Suite d'un goût étranger: XXVIII. La Rêveuse | Marin Marais, Jean-Guihen Queyras, Alexandre Tharaud | E Minor | 0 | 9A | 79 BPM | ||
Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM |
Section: 0.6457860469818115
End: 0.6549577713012695