Je te veux (I want you) [arr. E. Blackwood]
Erik Satie, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda
Mendelssohn / Handel / Bach, J.S. / Strauss, R.: Songs for Counter-Tenor and Orchestra
3:41 September 30, 1998
BPM
90
Key
A Major
Camelot
11B

Embed

Share Link

Je te veux (I want you) [arr. E. Blackwood] - Erik Satie, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda Information

Acousticness
96%
Danceability
22%
Energy
9%
Instrumentalness
0%
Liveness
28%
Loudness
61%
Speechiness
6%
Valence
13%
Popularity
Loudness
-23.233 dB

Summary

"Je te veux (I want you) [arr. E. Blackwood]" by Erik Satie, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda was released on September 30, 1998. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Yoshikazu Mera, Shigeo Genda, Japan Philharmonic Orchestra's "Mendelssohn / Handel / Bach, J.S. / Strauss, R.: Songs for Counter-Tenor and Orchestra" album is number 9 out of 13. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Je te veux (I want you) [arr. E. Blackwood] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Je te veux (I want you) [arr. E. Blackwood] BPM

We consider the tempo marking of Je te veux (I want you) [arr. E. Blackwood] by Erik Satie, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Je te veux (I want you) [arr. E. Blackwood] Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Idaspe: Ombra fedela anch'io (Air de Dario) by Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewskaIdaspe: Ombra fedela anch'io (Air de Dario)Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewskaD♭ Major03B71 BPM
Kamarinskaya (Air russe varie) by John Field, Miceal O'RourkeKamarinskaya (Air russe varie)John Field, Miceal O'RourkeB♭ Major16B92 BPM
To be sung on the water, Op. 42, No. 2 by Samuel Barber, Conspirare, Craig Hella JohnsonTo be sung on the water, Op. 42, No. 2Samuel Barber, Conspirare, Craig Hella JohnsonC Minor05A83 BPM
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea)Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina PluharG Major19B77 BPM
En vacances: Où l'on entend une vieille boite à musique: by Déodat de Séverac, Anne QueffélecEn vacances: Où l'on entend une vieille boite à musique:Déodat de Séverac, Anne QueffélecB♭ Major26B106 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
Vier letzte Lieder, TrV 296: 2. September by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt MasurVier letzte Lieder, TrV 296: 2. SeptemberRichard Strauss, Jessye Norman, Gewandhausorchester, Kurt MasurD Major110B153 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846Daniel BarenboimC Major08B95 BPM
Messiah, HWV 56: Accompanied Recitative: For behold, darkness shall cover the earth (Bass) by George Frideric Handel, Midori Suzuki, Yoshikazu Mera, John Elwes, David Thomas, Bach Collegium Japan, Masaaki SuzukiMessiah, HWV 56: Accompanied Recitative: For behold, darkness shall cover the earth (Bass)George Frideric Handel, Midori Suzuki, Yoshikazu Mera, John Elwes, David Thomas, Bach Collegium Japan, Masaaki SuzukiA♭ Major04B146 BPM
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 by Frédéric Chopin, Alice Sara OttWaltz No. 7 in C-Sharp Minor, Op. 64 No. 2Frédéric Chopin, Alice Sara OttF Minor14A80 BPM
ISRC
SEAEJ9749090
Label
L-M Records/RCA Records

Section: 0.6604151725769043

End: 0.6639139652252197