The Rake's Progress: Act II Scene 2: Trio: Could it then… (Anne, Tom, Baba) - Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Information

"The Rake's Progress: Act II Scene 2: Trio: Could it then… (Anne, Tom, Baba)" by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft was released on May 26, 2009. The duration of The Rake's Progress: Act II Scene 2: Trio: Could it then… (Anne, Tom, Baba) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. The Rake's Progress: Act II Scene 2: Trio: Could it then… (Anne, Tom, Baba)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #37. The Rake's Progress: Act II Scene 2: Trio: Could it then… (Anne, Tom, Baba) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Rake's Progress: Act II Scene 2: Trio: Could it then… (Anne, Tom, Baba) BPM

With The Rake's Progress: Act II Scene 2: Trio: Could it then… (Anne, Tom, Baba) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Rake's Progress: Act II Scene 2: Trio: Could it then… (Anne, Tom, Baba) Key

This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.