Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) - Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic Information

Acousticness: 99%
Danceability: 13%
Energy: 2%
Instrumentalness: 92%
Liveness: 15%
Loudness: 47%
Speechiness: 4%
Valence: 14%
Popularity: 27%
Loudness: -31.681 dB

Summary

"Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra)" by Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic was released on July 15, 2014. The duration of Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) is about 3 minutes long, at 3:12. Based on our data, "Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 18 in Debussy: Marche Ecossaise / Images (Arr. for Orchestra) / Ravel: Le Tombeau De Couperin by Zoltán Kocsis, Hungarian National Philharmonic. Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) BPM

The tempo marking of Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) by Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) Key

The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
String Quartet No. 1 'after Tolstoy's 'The Kreutzer Sonata' ': I. Adagio - Con moto	Leoš Janáček, Alban Berg Quartett	A Major	0	11B	142 BPM
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	A♭ Major	0	4B	87 BPM
Sonata for flute & piano, Op.167 'Undine': III. Andante Tranquillo	Carl Reinecke, Emmanuel Pahud	G Major	0	9B	69 BPM
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 3. Scherzo (Presto)	Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló	D Major	2	10B	120 BPM
Liebesbotschaft, S. 560/10 from Schwanengesang	Franz Liszt, Arcadi Volodos	G Major	0	9B	62 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	D Major	2	10B	112 BPM
Piano Concerto in E-Flat Major: II. Lento espressivo	John Ireland, Bryden Thomson, London Philharmonic Orchestra, Eric Parkin	B Major	0	1B	71 BPM
Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto	Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud	D Major	0	10B	169 BPM
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1	Julian Scriabin, Evgeny Zarafiants	B Major	0	1B	117 BPM
Gayane Suite No. 3: V. Solo - Love Duet	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	D Major	3	10B	175 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.786858081817627

End: 0.7914547920227051