Jean-Baptiste Lully, Bernard Deletré, La Chapelle Royale, Philippe Herreweghe, Guillemette Laurens, Collegium Vocale Gent's 'Armide: Act II, Scene 2: Prélude. Hidraot : "Arrêtons-nous ici"' came out on 1993. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 16 out of 39. In terms of popularity, Armide: Act II, Scene 2: Prélude. Hidraot : "Arrêtons-nous ici" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Armide: Act II, Scene 2: Prélude. Hidraot : "Arrêtons-nous ici" by Jean-Baptiste Lully, Bernard Deletré, La Chapelle Royale, Philippe Herreweghe, Guillemette Laurens, Collegium Vocale Gent to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Ballet royal de la Naissance de Vénus, LWV 27, Première partie: Récit "Taisez-vous flots impétueux" (Neptune) - Récit "Voyez comme elle brille" (Thétis) - Quelle gloire pour la mer (Chœur de tritons) | Jean-Baptiste Lully, Guillaume Andrieux, Bénédicte Tauran, Cyril Auvity, Samuel Namotte, Chœur De Chambre De Namur, Les Talens Lyriques, Christophe Rousset | A♭ Major | 3 | 4B | 88 BPM | ||
Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro | Arcangelo Corelli, Trio Sonnerie | E♭ Major | 3 | 5B | 117 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Les ballets du roi: Gavotte en rondeau (arr. for violin and piano) | Anonymous, Jean-Baptiste Lully, Takako Nishizaki, Terence Dennis | A Minor | 1 | 8A | 81 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM |
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