Arcangelo Corelli, Trio Sonnerie made "Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro" available on 1989. The duration of Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 53 in Corelli: Violin Sonatas, Op. 5 by Arcangelo Corelli, Trio Sonnerie. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro by Arcangelo Corelli, Trio Sonnerie is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Violin Concerto in E Major, BWV 1042: III. Allegro Assai | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 3 | 12B | 86 BPM | ||
Water Music, HWV 349, Suite No. 2 in D Major: Allegro, Alla Hornpipe | Academy of St. Martin in the Fields, Sir Neville Marriner, John Constable | D Major | 2 | 10B | 115 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM |
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