"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester"" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien was released on January 1, 2001. The duration of Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester" is about 3 minutes long, at 3:03. Based on our data, "Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 68 in Bach, JS: St Matthew Passion, BWV 244 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Nisi Dominus (Psalm 126), R.608: 2. "Vanum est vobis" (Largo) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | B Minor | 0 | 10A | 111 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 7. Duetto (Soprano, Tenore) (Versus VI): So Feiern Wir Das Hohe Fest | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Frank Wakelkamp, Johann Sebastian Bach, Vaughan Schlepp, Bas Ramselaar, Sytse Buwalda, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
2-Part Inventions Nos. 1-15, BWV 772-786 : Invention No. 6 In E Major, BWV 777 | João Carlos Martins, Johann Sebastian Bach | E Major | 1 | 12B | 124 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" | Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | A♭ Major | 0 | 4B | 83 BPM | ||
Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 132 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM |
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