Stabat Mater: 8. Fac ut ardeat - Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood Information

Acousticness: 97%
Danceability: 32%
Energy: 19%
Instrumentalness: 0%
Liveness: 16%
Loudness: 71%
Speechiness: 4%
Valence: 30%
Popularity: 20%
Loudness: -17.501 dB

Summary

Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood's 'Stabat Mater: 8. Fac ut ardeat' came out on January 1, 1989. The duration of Stabat Mater: 8. Fac ut ardeat is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Stabat Mater: 8. Fac ut ardeat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pergolesi: Stabat Mater; Salve Regina". In this album, this song's track order is #8. Based on our statistics, Stabat Mater: 8. Fac ut ardeat's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater: 8. Fac ut ardeat BPM

With Stabat Mater: 8. Fac ut ardeat by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Stabat Mater: 8. Fac ut ardeat Key

This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

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Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat	Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset	A Major	2	11B	82 BPM
Regina coeli in C, K.108	Wolfgang Amadeus Mozart, Emma Kirkby, Westminster Cathedral Choir, The Academy Of Ancient Music Chorus, Christopher Hogwood, Academy of Ancient Music	C Major	1	8B	136 BPM
Fago: Confitebor tibi Domine: II. "Memoriam fecit - Escam dedit"	Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro	A♭ Minor	1	1A	166 BPM
Hippolyte et Aricie, RCT 43, Acte I, Scène I: Prélude - Air accompagné "Temple sacré, séjour tranquille"	Jean-Philippe Rameau, Teodor Currentzis	D♭ Major	2	3B	116 BPM
Gott soll allein mein Herze haben, Cantata BWV 169: 7. Choral: "Du süsse Liebe"	Johann Sebastian Bach, Andreas Scholl, Junko Takamaya, Michael Feyfar, Raitis Grigalis, Kammerorchester Basel, Julia Schröder	A♭ Major	2	4B	117 BPM
Vivaldi: Magnificat in G Minor, RV 610: I. Magnificat	Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury	F♯ Minor	2	11A	79 BPM
Stabat Mater: Fac ut portem Christi mortem	Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Julian Prégardian, I Barocchisti, Diego Fasolis	C Minor	3	5A	75 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6769351959228516

End: 0.6814296245574951