Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack's ' "Fortunio-Quadrille (arr. C. Pollack), Op. 103" was released on its scheduled release date, April 20, 2003. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Strauss, Josef: Edition - Vol. 24". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Fortunio-Quadrille (arr. C. Pollack), Op. 103 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Fortunio-Quadrille (arr. C. Pollack), Op. 103 by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | E♭ Major | 2 | 5B | 111 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
Leben heißt genießen | Munich Radio Orchestra, Rundfunkorchester Des Südwestfunks, Orchester Des Raimundtheaters Wien | D Major | 4 | 10B | 159 BPM | ||
Carmen Suite No.1: Prélude - Aragonaise | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Minor | 1 | 7A | 118 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Raymonda, Act III: Variation 2 for four dancers | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 129 BPM | ||
Grainger: Mock Morris, "Room Music Tit-Bits, No. 1" (At fast jog trotting speed) | Percy Grainger, Sir Vivian Dunn, Light Music Society Orchestra | G Major | 2 | 9B | 92 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
Attack, Op. 156 | Karel Komzák, Czech Philharmonic Orchestra, Václav Neumann | D Major | 5 | 10B | 147 BPM |