"Carmen Suite No.1: Prélude - Aragonaise" by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1988. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 19 in Bizet: Carmen Suites 1 & 2; L'Arlésienne Suites 1 & 2 by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit. In terms of popularity, Carmen Suite No.1: Prélude - Aragonaise is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Suite No.1: Prélude - Aragonaise by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Night On The Bare Mountain | Modest Mussorgsky, Orchestre Symphonique de Montréal, Kent Nagano | D Major | 1 | 10B | 102 BPM | ||
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Major | 1 | 8B | 133 BPM | ||
Bizet / Arr Waxman: Carmen Fantasia | Franz Waxman, Georges Bizet, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | D Major | 1 | 10B | 107 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | B Major | 0 | 1B | 75 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2a. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | D Minor | 2 | 7A | 69 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Carnival Overture, Op. 92 - Instrumental | Antonín Dvořák, Boston Symphony Orchestra, Seiji Ozawa | D Major | 2 | 10B | 138 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Overture "Rob Roy" | Hector Berlioz, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 124 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM |
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