Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel made "Mensa sonora / PARS III (In A Minor): 1. Gagliarda. Allegro" available on January 1, 1988. With Mensa sonora / PARS III (In A Minor): 1. Gagliarda. Allegro being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Mensa sonora / PARS III (In A Minor): 1. Gagliarda. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Mensa sonora / PARS III (In A Minor): 1. Gagliarda. Allegro by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In A Major, Op.12, No.1: 1. Largo | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 101 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar" | Heinrich Ignaz Franz von Biber, Julia Wedman, Felix Deak, Lucas Harris, Charlotte Nediger | B Major | 2 | 1B | 146 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 90 BPM | ||
Folias echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, London Baroque | B Major | 3 | 1B | 78 BPM | ||
Sonata in G Major for Two Flutes and Basso Continuo, RV 80: II. Larghetto | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian, Stefania Marusi | E♭ Minor | 0 | 2A | 114 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: I. Andante | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 88 BPM | ||
Trio Sonata in G Minor, Op. 1, No. 1, RV 73: I. Preludio | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 95 BPM |
Section: 0.6734578609466553
End: 0.6773033142089844