"Trio Sonata in G Minor, Op. 1, No. 1, RV 73: I. Preludio" by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque was released on August 31, 2000. With Trio Sonata in G Minor, Op. 1, No. 1, RV 73: I. Preludio being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Trio Sonatas, Op. 1 by Antonio Vivaldi, London Baroque, Charles Medlam. The song's track number on the album is #1 out of 62 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Trio Sonata in G Minor, Op. 1, No. 1, RV 73: I. Preludio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Trio Sonata in G Minor, Op. 1, No. 1, RV 73: I. Preludio by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Trio Sonata in G Minor, Op. 1, No. 1, RV 73: I. Preludio being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Naïs - Air de Triomphe | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 3 | 2B | 75 BPM | ||
Sonata in C Major, K. 336 | Wolfgang Amadeus Mozart, Charles Medlam, London Baroque | E Major | 1 | 12B | 133 BPM | ||
Recorder Sonata No. 12 in G Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | B Minor | 0 | 10A | 70 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Suite in G Minor, BWV 1070: I. Ouverture - Larghetto | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 1 | 11A | 127 BPM | ||
12 Trio Sonatas, Op.1, Sonata No. 3 In A Major: III. Adagio | Arcangelo Corelli, London Baroque, Charles Medlam | E Major | 3 | 12B | 122 BPM | ||
Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Recorder Sonata No. 11 in A Minor: I. Largo | Domenico Sarro, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM |
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