"Nerone, Act I: Act I: Aita … Mio signor (Nerone, Tigellino, Chorus)" by Arrigo Boito, Ilva Ligabue, Ruza Pospis-Baldani, Antonio Zerbini, Giampaolo Corradi, Anna Di Stasio, Corinna Vozza, Walter Brighi, Renzo Gonzales, Vinicio Cocchieri, Coro di Torino della RAI, Orchestra Sinfonica Nazionale della RAI di Torino, Bruno Prevedi, Agostino Ferrin, Alessandro Cassis, Gianandrea Gavazzeni was released on January 1, 2015. The duration of Nerone, Act I: Act I: Aita … Mio signor (Nerone, Tigellino, Chorus) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Nerone, Act I: Act I: Aita … Mio signor (Nerone, Tigellino, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 40 in Boito: Nerone by Arrigo Boito, Gianandrea Gavazzeni. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Nerone, Act I: Act I: Aita … Mio signor (Nerone, Tigellino, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nerone, Act I: Act I: Aita … Mio signor (Nerone, Tigellino, Chorus) by Arrigo Boito, Ilva Ligabue, Ruza Pospis-Baldani, Antonio Zerbini, Giampaolo Corradi, Anna Di Stasio, Corinna Vozza, Walter Brighi, Renzo Gonzales, Vinicio Cocchieri, Coro di Torino della RAI, Orchestra Sinfonica Nazionale della RAI di Torino, Bruno Prevedi, Agostino Ferrin, Alessandro Cassis, Gianandrea Gavazzeni is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 17 in C Minor, K. 427 "Great" (Completed by F. Beyer): I. Kyrie | Wolfgang Amadeus Mozart, Katharina Konradi, WDR Rundfunkchor Köln, Kolner Kammerorchester, Christoph Poppen | C Minor | 1 | 5A | 61 BPM | ||
Mefistofele: Ave, Signor (Mefistofele, Chorus Mysticus & Falangi Celesti) [Live] | Arrigo Boito, Riccardo Zanellato, Chicago Symphony Chorus, Chicago Symphony Orchestra, Riccardo Muti | F Major | 1 | 7B | 142 BPM | ||
Akt I: Wein und Brot des letzten Mahles | Richard Wagner, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Rusalka, Op. 114 / Act 1: Ta voda studi, studi! Jezibabo! Jezibabo! | Antonín Dvořák, Renée Fleming, Franz Hawlata, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | D Major | 0 | 10B | 145 BPM | ||
Mefistofele / Prologue: Preludio | Arrigo Boito, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | G Major | 1 | 9B | 114 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Andrea Chénier / Act 3: Udiamo i testimoni! ... Qui la giustizia ha nome | Umberto Giordano, Neil Howlett, Leo Nucci, Luciano Pavarotti, Ralph Hamer, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 4 | 11B | 75 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Mefistofele / Prologue: "Ave Signor!" | Arrigo Boito, Cesare Siepi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | F Major | 2 | 7B | 143 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM |
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