"Rusalka, Op. 114 / Act 1: Ta voda studi, studi! Jezibabo! Jezibabo!" by Antonín Dvořák, Renée Fleming, Franz Hawlata, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 1998. The duration of Rusalka, Op. 114 / Act 1: Ta voda studi, studi! Jezibabo! Jezibabo! is about 3 minutes long, at 3:15. Based on our data, "Rusalka, Op. 114 / Act 1: Ta voda studi, studi! Jezibabo! Jezibabo!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 30 in Dvorák: Rusalka by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Rusalka, Op. 114 / Act 1: Ta voda studi, studi! Jezibabo! Jezibabo!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op. 114 / Act 1: Ta voda studi, studi! Jezibabo! Jezibabo! by Antonín Dvořák, Renée Fleming, Franz Hawlata, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act III: "O dolci mani" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 70 BPM | ||
IV Poco Allegro | Czech Philharmonic Orchestra, Rafael Kubelík | E♭ Minor | 3 | 2A | 88 BPM | ||
Il Trovatore / Act 1: "Tacea la notte" - "Quanto narrasti di turbamento" | Giuseppe Verdi, Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 165 BPM | ||
Cessato il suon dell'Armi (1887) | Giacomo Puccini, Joseph Calleja, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 5 | 11B | 113 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace - Un poco meno allegro | Ludwig van Beethoven, Czech Philharmonic Orchestra, Paul Kletzki | D Major | 2 | 10B | 76 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Norma viene (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 2 | 5B | 127 BPM | ||
Folk Songs: No. 6, La donna ideale | Luciano Berio, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | E Minor | 1 | 9A | 83 BPM | ||
Symphony No. 5 in E Minor, Op. 64, TH.29: 3. Valse: Allegro moderato | Pyotr Ilyich Tchaikovsky, Czech Philharmonic, Semyon Bychkov | E Major | 0 | 12B | 70 BPM | ||
L'Arlesiana: È la solita storia del pastore | Francesco Cilea, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | C Major | 0 | 8B | 84 BPM |
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