"Akt I: Wein und Brot des letzten Mahles" by Richard Wagner, Philippe Jordan was released on March 1, 2024. Since Akt I: Wein und Brot des letzten Mahles is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal by Richard Wagner, Jonas Kaufmann. The song's track number on the album is #6 out of 43 tracks. Based on our data, United States was the country where this track was produced or recorded. Akt I: Wein und Brot des letzten Mahles is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Akt I: Wein und Brot des letzten Mahles by Richard Wagner, Philippe Jordan has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Akt I: Wein und Brot des letzten Mahles being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM | ||
Rusalka, Op. 114 / Act 1: Overture | Antonín Dvořák, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 0 | 5B | 64 BPM | ||
Die Walküre / Dritter Aufzug: "Leb wohl, du kühnes, herrliches Kind" | Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | C Major | 6 | 8B | 80 BPM | ||
Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 0 | 9A | 141 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Tuba mirum - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 86 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM |
Section: 0.7490653991699219
End: 0.7527194023132324