Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán's 'San Giovanni Battista: Deste un tempo' came out on March 2, 2018. With San Giovanni Battista: Deste un tempo being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Siface: L'amor castrato". In this album, this song's track order is #3. In terms of popularity, San Giovanni Battista: Deste un tempo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With San Giovanni Battista: Deste un tempo by Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Adagio assai & net seren de' miei contenti | Alessandro Stradella, Le Banquet Céleste, Damien Guillon | C Major | 1 | 8B | 129 BPM | ||
San Casimiro, re di Polonia: Al serto le rose (Duetto) | Alessandro Scarlatti, Núria Rial, Valer Sabadus | A Major | 1 | 11B | 95 BPM | ||
Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz | Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM | ||
Il Tamerlano (Il Bajazet), RV 703, Act I, Scene 11: "Qual guerriero in campo armato" (Irene) | Antonio Vivaldi, Ottavio Dantone, Accademia Bizantina, Sophie Rennert | A Major | 3 | 11B | 121 BPM | ||
La Doriclea, Atto Secondo Scena 1: Oh Lucinda / Oh Fidalbo, e dove sei? (Doriclea, Celindo) | Alessandro Stradella, Emőke Baráth, Luca Cervoni, Il Pomo D'oro, Andrea De Carlo | F Major | 7 | 7B | 120 BPM | ||
I Portentosi Effetti Della Madre Natura: Atto Primo: Giove Collerico (Coro) | Giuseppe Scarlatti, Dorothee Oberlinger, Ensemble 1700, Rupert Charlesworth, Filippo Mineccia, Roberta Mameli, Benedetta Mazzucato, Maria Ladurner, Niccolo Porcedda, Dana Marbach, Joao Fernandes | D♭ Major | 3 | 3B | 169 BPM | ||
Polifemo, Act III Scene 5: Aria. Alto Giove | Nicola Porpora, Filippo Mineccia, Orchestre de l'Opéra Royal, Stefan Plewniak | F♯ Major | 1 | 2B | 79 BPM | ||
Membra Jesu nostri, BuxWV 75: IIIc. Ad manus: Manus sanctae, vos amplector | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM |
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