Giuseppe Scarlatti, Dorothee Oberlinger, Ensemble 1700, Rupert Charlesworth, Filippo Mineccia, Roberta Mameli, Benedetta Mazzucato, Maria Ladurner, Niccolo Porcedda, Dana Marbach, Joao Fernandes made "I Portentosi Effetti Della Madre Natura: Atto Primo: Giove Collerico (Coro)" available on June 9, 2023. With I Portentosi Effetti Della Madre Natura: Atto Primo: Giove Collerico (Coro) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giuseppe Scarlatti, Dorothee Oberlinger's "Giuseppe Scarlatti: I portentosi effetti della Madre Natura" album is number 2 out of 59. On top of that, Germany appears to be the country where this track was created. The popularity of I Portentosi Effetti Della Madre Natura: Atto Primo: Giove Collerico (Coro) is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of I Portentosi Effetti Della Madre Natura: Atto Primo: Giove Collerico (Coro) by Giuseppe Scarlatti, Dorothee Oberlinger, Ensemble 1700, Rupert Charlesworth, Filippo Mineccia, Roberta Mameli, Benedetta Mazzucato, Maria Ladurner, Niccolo Porcedda, Dana Marbach, Joao Fernandes to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
I Portentosi Effetti Della Madre Natura: Atto Secondo: Quell'ochhio m'innamora (Aria) | Giuseppe Scarlatti, Dorothee Oberlinger, Ensemble 1700, Rupert Charlesworth | F♯ Major | 1 | 2B | 36 BPM | ||
Armide, LWV 71, Act II Scene 4: Premier Air | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che fiero momento" (Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: IV. Menuets I & II | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Violin Concerto in D Minor, RV 237 "per Pisendel": III. Allegro | Antonio Vivaldi, Théotime Langlois de Swarte, Le Consort | A Major | 2 | 11B | 118 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: I. Prélude | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: V. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
La parca | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique | B♭ Minor | 0 | 3A | 110 BPM |
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