On November 2, 2018, the song "La Doriclea, Atto Secondo Scena 1: Oh Lucinda / Oh Fidalbo, e dove sei? (Doriclea, Celindo)" was released by Alessandro Stradella, Emőke Baráth, Luca Cervoni, Il Pomo D'oro, Andrea De Carlo. With La Doriclea, Atto Secondo Scena 1: Oh Lucinda / Oh Fidalbo, e dove sei? (Doriclea, Celindo) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 122 in the song's album "Stradella: La Doriclea". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Based on our statistics, La Doriclea, Atto Secondo Scena 1: Oh Lucinda / Oh Fidalbo, e dove sei? (Doriclea, Celindo)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With La Doriclea, Atto Secondo Scena 1: Oh Lucinda / Oh Fidalbo, e dove sei? (Doriclea, Celindo) by Alessandro Stradella, Emőke Baráth, Luca Cervoni, Il Pomo D'oro, Andrea De Carlo having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi - Andantino | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 0 | 1B | 89 BPM | ||
San Giovanni Battista, Pt. 2: No. 5, Recit. Figlia, se un gran tesoro (Herodiade/Salome/Herode) | Alessandro Stradella, Antonio Abete, Elena Cecchi-Fedi, Anke Herrmann, Alessandro De Marchi, Academia Montis Regalis | A♭ Minor | 1 | 1A | 131 BPM | ||
Volin pure lontano dal sen | Alessandro Stradella, Le Banquet Céleste, Damien Guillon | A♭ Minor | 1 | 1A | 104 BPM | ||
Ouverture "Wassermusik" in C Major, TWV 55:C3: I. Ouverture | Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 121 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Si apra al riso: I. Aria | Alessandro Stradella, Enrico Gatti, Roberto Falcone, Lavina Bertotti, Guido Morini | A♭ Major | 2 | 4B | 108 BPM | ||
Dixit Dominus, RV 595: De torrente in via bibet: Largo | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E♭ Minor | 0 | 2A | 98 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Concerto à più instrumenti in D Major, Op. 5, No. 6: V. Allegro | Evaristo Felice Dall'Abaco, Nadja Zwiener, Tuomo Suni, Harry Bicket, The English Concert | D♭ Major | 4 | 3B | 139 BPM |
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