The Young Person's Guide to the Orchestra, Op. 34: Cellos
Benjamin Britten, André Previn, Royal Philharmonic Orchestra
Marita and Her Heart's Desire
1:13 November 1, 1998
BPM
50
Key
D Major
Camelot
10B

Embed

Share Link

The Young Person's Guide to the Orchestra, Op. 34: Cellos - Benjamin Britten, André Previn, Royal Philharmonic Orchestra Information

Acousticness
90%
Danceability
38%
Energy
31%
Instrumentalness
90%
Liveness
22%
Loudness
75%
Speechiness
3%
Valence
38%
Popularity
Loudness
-14.794 dB

Summary

Benjamin Britten, André Previn, Royal Philharmonic Orchestra's 'The Young Person's Guide to the Orchestra, Op. 34: Cellos' came out on November 1, 1998. With The Young Person's Guide to the Orchestra, Op. 34: Cellos being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Itzhak Perlman, The Chamber Music Society Of Lincoln Center, Bruce Adolphe, Royal Philharmonic Orchestra, André Previn, Michele Mariana's "Marita and Her Heart's Desire" album is number 23 out of 37. On top of that, United States appears to be the country where this track was created. The Young Person's Guide to the Orchestra, Op. 34: Cellos is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Young Person's Guide to the Orchestra, Op. 34: Cellos BPM

We consider the tempo marking of The Young Person's Guide to the Orchestra, Op. 34: Cellos by Benjamin Britten, André Previn, Royal Philharmonic Orchestra to be Lento (slowly) because the track has a tempo of 50 BPM, a half-time of 25BPM, and a double-time of 100 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

The Young Person's Guide to the Orchestra, Op. 34: Cellos Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pini di Roma, P. 141: III. I pini del Gianicolo by Ottorino Respighi, New York Philharmonic, Giuseppe SinopoliPini di Roma, P. 141: III. I pini del GianicoloOttorino Respighi, New York Philharmonic, Giuseppe SinopoliG Minor06A84 BPM
Gloria, FP 144: 2. Laudamus te by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverGloria, FP 144: 2. Laudamus teFrancis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverF Major27B139 BPM
Walton: Henry V: Passacaglia Walton: Henry V: Passacaglia "Death of Falstaff"William Walton, Sir Neville Marriner, Academy of St. Martin in the FieldsE Minor19A79 BPM
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction by Sergei Prokofiev, André Previn, London Symphony OrchestraProkofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: IntroductionSergei Prokofiev, André Previn, London Symphony OrchestraB Major01B105 BPM
Hary Janos Suite: Háry János Suite: V. Intermezzo by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence KaptainHary Janos Suite: Háry János Suite: V. IntermezzoZoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence KaptainD Minor17A109 BPM
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) by Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony OrchestraBritten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto)Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony OrchestraA Minor18A74 BPM
Tristan und Isolde - Concert Version: Liebestod by Richard Wagner, Berliner Philharmoniker, Herbert von KarajanTristan und Isolde - Concert Version: LiebestodRichard Wagner, Berliner Philharmoniker, Herbert von KarajanB Major21B94 BPM
A Shropshire Lad by George Butterworth, London Philharmonic Orchestra, Sir Adrian BoultA Shropshire LadGeorge Butterworth, London Philharmonic Orchestra, Sir Adrian BoultF Minor14A77 BPM
German Requiem, Op. 45: Selig sind, die da Leid tragen by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony ChorusGerman Requiem, Op. 45: Selig sind, die da Leid tragenJohannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony ChorusE♭ Major05B98 BPM
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild by Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner PhilharmonikerKammermusik No. 1, Op.24 No.1: I. Sehr schnell und wildPaul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner PhilharmonikerB Major41B137 BPM
ISRC
USTE10323460
Label
L-M Records/RCA Records

Section: 0.7530953884124756

End: 0.7587687969207764