"Tristan und Isolde - Concert Version: Liebestod" by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1984. Since Tristan und Isolde - Concert Version: Liebestod is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Tristan und Isolde; Tannhäuser; Die Meistersinger - Orchestral Music by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #5 out of 5 tracks. In terms of popularity, Tristan und Isolde - Concert Version: Liebestod is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde - Concert Version: Liebestod by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde - Concert Version: Liebestod being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in C Sharp Minor, Op. 131: I. Moderato | Sergei Prokofiev, Berliner Philharmoniker, Seiji Ozawa | E Major | 0 | 12B | 94 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Swan Lake, Op. 20a, TH 219: Russian Dance | Pyotr Ilyich Tchaikovsky, Joshua Bell, Michael Tilson Thomas, Berliner Philharmoniker | D♭ Major | 1 | 3B | 82 BPM | ||
Tosca / Act III: "E lucevan le stelle" | Giacomo Puccini, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 74 BPM | ||
Wagner: Tristan und Isolde, Act II, Scene 2: "O sink hernieder, Nacht der Liebe" (Tristan, Isolde) | Richard Wagner, Wilhelm Furtwängler, Kirsten Flagstad, Ludwig Suthaus, Philharmonia Orchestra | B Major | 3 | 1B | 88 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E Minor | 1 | 9A | 125 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Symphonic Dances, Op. 45: II. Andante con moto (tempo di Valse) | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Minor | 0 | 5A | 67 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM |
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