"Handel: Serse, HWV 40, Act 1: "Ombra mai fu" (Serse)" by George Frideric Handel, David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington was released on October 1, 1998. The duration of Handel: Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) is about 3 minutes long, at 3:08. Based on our data, "Handel: Serse, HWV 40, Act 1: "Ombra mai fu" (Serse)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, David Daniels/Roger Montgomery/Orchestra of the Age of Enlightenment/Sir Roger Norrington, Sir Roger Norrington, Orchestra of the Age of Enlightenment's "Handel - Arias" album is number 2 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Handel: Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) by George Frideric Handel, David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 0 | 6A | 83 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Acis and Galatea, HWV 49a, Act II: The Flocks Shall Leave The Mountains (Galatea, Acis, Polyphemus) | George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Grace Davidson, Jeremy Budd, Stuart Young | A Major | 2 | 11B | 129 BPM | ||
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | ||
Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | ||
Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset | G Minor | 0 | 6A | 172 BPM | ||
Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland | Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder | B Minor | 1 | 10A | 138 BPM | ||
Grieg: Peer Gynt, Op. 23, Act IV: No. 18, Solveig's Song | Edvard Grieg, Paavo Järvi, Camilla Tilling, Estonian National Symphony Orchestra | A Minor | 1 | 8A | 169 BPM | ||
Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F Major | 1 | 7B | 121 BPM |
Section: 0.657792329788208
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