"Sinfonia in G Major: II. Adagio" by Renaissance Chamber Orchestra was released on October 12, 2010. The duration of Sinfonia in G Major: II. Adagio is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Sinfonia in G Major: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "The 50 Most Essential Classical Pieces for Your Mind". In this album, this song's track order is #48. Furthermore, we believe that the track originated from Germany. In terms of popularity, Sinfonia in G Major: II. Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonia in G Major: II. Adagio by Renaissance Chamber Orchestra having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace | Academy of St. Martin in the Fields | D Major | 0 | 10B | 113 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, CSSR State Philharmonic Orchestra, Kosice, Stephen Gunzenhauser | E Major | 0 | 12B | 71 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
21 Hungarian Dances, WoO 1: No. 5, Allegro in F-Sharp Minor | Johannes Brahms, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 167 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor | Johannes Brahms, Nigel Kennedy, English Chamber Orchestra, Paul Barritt | G Minor | 2 | 6A | 109 BPM | ||
Zadok the Priest | George Frideric Handel, Thomas Tallis Chamber Choir, Royal Academy Consort, Jeremy Summerly | B♭ Major | 1 | 6B | 123 BPM | ||
The Marriage of Figaro, "Le Nozze di Figaro", K.492: Overture | London Philharmonic Orchestra, Edward Downes | D Major | 2 | 10B | 148 BPM | ||
Monti: Csárdás. Largo maestoso - Allegro vivace (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky) | Vittorio Monti, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | D Minor | 2 | 7A | 101 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir John Barbirolli, New Philharmonia Orchestra | F Major | 0 | 7B | 87 BPM |
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