"Peer Gynt Suite No. 1, Op. 46: I. Morning Mood" by Edvard Grieg, CSSR State Philharmonic Orchestra, Kosice, Stephen Gunzenhauser was released on November 25, 1988. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edvard Grieg, CSSR State Philharmonic Orchestra, Kosice, Stephen Gunzenhauser's "Grieg: Peer Gynt - Sigurd Jorsalfar" album is number 2 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Peer Gynt Suite No. 1, Op. 46: I. Morning Mood is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No. 1, Op. 46: I. Morning Mood by Edvard Grieg, CSSR State Philharmonic Orchestra, Kosice, Stephen Gunzenhauser to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Maria João Pires | E♭ Major | 0 | 5B | 63 BPM | ||
Suite for Variety Orchestra: VII. Waltz No. 2 | Dmitri Shostakovich, Tonkünstler-Orchester, Yutaka Sado | G Minor | 3 | 6A | 69 BPM | ||
Morning Mood | Edvard Grieg, James Galway, David Measham, National Philharmonic Orchestra | E Major | 2 | 12B | 73 BPM | ||
Lakmé: Flower Duet (Dôme épais) | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | B Major | 2 | 1B | 106 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
Suite bergamasque: III. Clair de lune (arr. A. Reed): Clair de lune | Claude Debussy, Alfred Reed, Slovak Radio Symphony Orchestra, Keith Clark | D♭ Major | 1 | 3B | 81 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Concerto Grosso Op.25-2 D Major 'Watermusic Suite No.2': Alla Hornpipe | I Musici Di San Marco, Alberto Lizzio | D Major | 3 | 10B | 119 BPM | ||
Chopin: Waltz In D Flat, Op. 64/1, "Minuet" | London Festival Orchestra | D♭ Major | 1 | 3B | 111 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major | Antonín Dvořák, Balazs Szokolay | F♯ Major | 1 | 2B | 112 BPM |
Section: 0.7869501113891602
End: 0.7920267581939697