Johannes Brahms, Nigel Kennedy, English Chamber Orchestra, Paul Barritt made "Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor" available on October 4, 1999. The duration of Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 20 in Classic Kennedy by Nigel Kennedy. In terms of popularity, Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor by Johannes Brahms, Nigel Kennedy, English Chamber Orchestra, Paul Barritt is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S.244/2 (Arr. Horowitz) | Franz Liszt, Lang Lang | C Minor | 4 | 5A | 110 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM | ||
Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": II. Andante | Franz Schubert, Christian Tetzlaff, Antonie Tamestit, Marie-Elisabeth Hecker, Alois Posch | A Minor | 0 | 8A | 177 BPM | ||
Invitation to the Dance | Carl Maria von Weber, Thierry De Brunhoff | D♭ Major | 1 | 3B | 122 BPM | ||
Nocturne No.19 in E minor, Op.72 No.1 | Frédéric Chopin, Claudio Arrau | E Minor | 0 | 9A | 70 BPM | ||
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Vivaldi: The New Four Seasons: Winter: 18 The Rain Outside | Nigel Kennedy, Orchestra of Life | B♭ Major | 3 | 6B | 92 BPM |
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