"Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace" by Academy of St. Martin in the Fields was released on 1994. Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 16 out of 16 in Edvard Grieg: Orchestral Works (Classical Mastepieces) by Academy of St. Martin in the Fields. In terms of popularity, Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace by Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Andante and Rondo Ungarese for Bassoon and Orchestra, Op.35 | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 174 BPM | ||
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Capriol Suite: 6. Mattachins (Sword Dance) | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | F Major | 3 | 7B | 82 BPM | ||
Rupert Bear | Academy of St. Martin in the Fields, Gabriel Yared | B♭ Major | 2 | 6B | 90 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 56 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro | Franz Schubert, Bamberg Symphony, Jonathan Nott | E Major | 0 | 12B | 79 BPM | ||
Mozart, L: Toy Symphony: I. Allegro (Also Attributed to Haydn or Angerer) | Leopold Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM |
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