Frédéric Chopin, Sharon Bezaly, Ervin Nagy's 'Variations in E Major on Non più mesta from Rossini's La Cenerentola: Variations on a theme by Gioacchino Rossini from the opera "La Cenerentola:, Op. Posth. (Arr. N. Mercz for flute and harp)' came out on August 31, 1999. With this song being about 5 minutes long, at 4:57, "Variations in E Major on Non più mesta from Rossini's La Cenerentola: Variations on a theme by Gioacchino Rossini from the opera "La Cenerentola:, Op. Posth. (Arr. N. Mercz for flute and harp)" by Frédéric Chopin, Sharon Bezaly, Ervin Nagy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Taffanel / Briccialdi / Chopin / Bazzinni / Borne: Flute Music". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Variations in E Major on Non più mesta from Rossini's La Cenerentola: Variations on a theme by Gioacchino Rossini from the opera "La Cenerentola:, Op. Posth. (Arr. N. Mercz for flute and harp) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations in E Major on Non più mesta from Rossini's La Cenerentola: Variations on a theme by Gioacchino Rossini from the opera "La Cenerentola:, Op. Posth. (Arr. N. Mercz for flute and harp) by Frédéric Chopin, Sharon Bezaly, Ervin Nagy having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Prelude in E Minor (Op. 28 No. 4) | Rousseau | E Minor | 0 | 9A | 78 BPM | ||
12 Etudes, Op.25: No.1 in A-flat Major(Aeolian Harp) | Pianozone, Frédéric Chopin | A♭ Major | 2 | 4B | 104 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM |
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