Guillaume de Machaut, Estampie's 'Lasse! Comment oublieray / Se j'aim mon loyal ami /Pour quoy me bat mes maris?' had a release date set for January 1, 2008. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vocal Music (Medieval) - Walther Von Der Vogelweide / Oswald Von Wolkenstein / Codax (Songs of Women in the Middle Ages) by Estampie. The song's track number on the album is #12 out of 14 tracks. In terms of popularity, Lasse! Comment oublieray / Se j'aim mon loyal ami /Pour quoy me bat mes maris? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lasse! Comment oublieray / Se j'aim mon loyal ami /Pour quoy me bat mes maris? by Guillaume de Machaut, Estampie has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Lasse! Comment oublieray / Se j'aim mon loyal ami /Pour quoy me bat mes maris? being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Triste départ | Nicolas Gombert, Amarcord | B Major | 1 | 1B | 87 BPM | ||
Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Viderunt omnes... (4-part organum) | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 180 BPM | ||
Ecco la primavera | Francesco Landini, Early Music Consort Of London, David Munrow | D Minor | 4 | 7A | 177 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Douce Dame | Guillaume de Machaut, Trinity Baroque, Fprbury Consort, The Holbein Consort, Martin Pope, Alan Crumpler, Julian Podger | C Major | 0 | 8B | 114 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Terpsichore*: a. Ballet des Baccanales b. Ballet des feus c. Ballet des Matelotz | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 2 | 8B | 90 BPM |