Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof made "Terpsichore*: a. Ballet des Baccanales b. Ballet des feus c. Ballet des Matelotz" available on October 13, 1998. The duration of Terpsichore*: a. Ballet des Baccanales b. Ballet des feus c. Ballet des Matelotz is about 3 minutes long, at 3:20. Based on our data, "Terpsichore*: a. Ballet des Baccanales b. Ballet des feus c. Ballet des Matelotz" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Praetorius: Dances From Terpsichore". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Terpsichore*: a. Ballet des Baccanales b. Ballet des feus c. Ballet des Matelotz is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Terpsichore*: a. Ballet des Baccanales b. Ballet des feus c. Ballet des Matelotz by Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Susato: 12 Dances from The Danserye: I. La Mourisque | Tylman Susato, Early Music Consort Of London | C Major | 6 | 8B | 87 BPM | ||
Dances From the English Dancing Master: Singo 1 | John Playford, Folger Consort | A Minor | 0 | 8A | 73 BPM | ||
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
The Earl of Essex Galliard | John Dowland, Folger Consort | G Minor | 1 | 6A | 100 BPM | ||
A Fantasie | Hopkinson Smith, John Dowland | G Major | 1 | 9B | 99 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM |
Section: 0.5338819026947021
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