"Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois" by Pierre Clereau, Ensemble Gilles Binchois was released on February 7, 2005. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Songs of the Renaissance: France/Spain". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois by Pierre Clereau, Ensemble Gilles Binchois having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taverner: Leroy Kyrie | John Taverner, Peter Phillips, The Tallis Scholars | D♭ Major | 1 | 3B | 74 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
Oy comamos y bebamos: Hoy comamos y bebamos | Juan del Encina, Accentus Ensemble, Thomas Wimmer | D Major | 2 | 10B | 142 BPM | ||
Missa L'homme arme: Kyrie (Missa L' homme arme) | Johannes Ockeghem, Oxford Camerata, Jeremy Summerly | B Major | 1 | 1B | 134 BPM | ||
S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 1 | 8B | 67 BPM | ||
O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | ||
Come away, come, sweet love | John Dowland, Amarcord | E Major | 2 | 12B | 66 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
La pastorella mia | Jacques Arcadelt, Shirley Rumsey | A Minor | 0 | 8A | 96 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM |
Section: 1.0222761631011963
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